Made In Japan  by Deep Purple

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Highway Star (Made In Japan)
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Child In Time (Made In Japan)
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Smoke On The Water (Made In Japan)
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The Mule (Made In Japan)
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Strange Kind Of Woman (Made In Japan)
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Lazy (Made In Japan)
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Space Truckin' (Made In Japan)

About the album Made In Japan

Made in Japan is not just an album; it's an electrified moment in time where Deep Purple touched ultimate musical perfection. The album was recorded during the band's first visit to Japan in August 1972. Although they were initially hesitant about a live recording, the Japanese record company convinced them, provided they had full control of the tapes. The recordings took place at Osaka's Festival Hall (August 15-16) and Tokyo's legendary Budokan (August 17).

The album's production was done by the "sixth Purple," sound engineer Martin Birch, who used a mobile eight-track studio. The result was so pure and honest — without any studio corrections (overdubs) — that bassist Roger Glover described it as the "most honest album in rock history." The iconic gold cover, designed by Glover, depicts the band on stage, exuding a sense of grandeur. Inside, only seven songs (in the original edition) filled two vinyl records, with performances exceeding all expectations: Highway Star opens the curtain with cinematic speed. Child In Time shocks with Ian Gillan's otherworldly screams. Smoke On the Water attains its definitive form here, the one known worldwide. Space Truckin' transforms into a 20-minute improvisational torrent, proving the chemistry of the Mark II lineup.

Although Made In Japan was intended only for the Japanese market, the demand was so immense that it was released worldwide, reaching No. 6 in the U.S. and selling millions of copies. Rolling Stone magazine ranked it as the sixth-best live album of all time. Its impact was groundbreaking. It established Deep Purple as the "world's loudest band" (Guinness 1972) and became the gospel for hard rock and heavy metal. The dialogues between Ritchie Blackmore's guitar with Jon Lord's Hammond, over the steel rhythm of Ian Paice and Roger Glover, remain to this day the benchmark for every live recording.

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